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Books: Fiction

When people think of writing for children, the first think they think of is the picture book. Often they think of picture books full of rhyming text and fuzzy bunnies. But this is a dated view of children's literature, and the fiction market is far wider than picture books. In fact, the fiction picture book market is the hardest of all children's markets to break into as a new writer. Yet as memorable and beloved as picture books are, is it any wonder that so many people want to write them? Let's take a look at picture books and other categories of children's fiction.

Picture books

A broad definition of picture book is a book in which some or all of the story is told through pictures. Most picture books have little text, generally fewer than 1000 words and generally run 32 pages. Some have no text at all, and rely entirely on the illustrations to tell the story. The stories are usually about children, with a child as the main character, though there are exceptions, such as folktales about kings and princesses and the like.

Though picture books are short, they are by no means easy to write. The text must be concise, the words fluent, and the voice lyrical, important qualities in these books that are more often than not read aloud. Writing a picture book is very much like writing a poem, where every word is carefully selected for the best effect. Some picture books use rhyme, though many do not. Even without rhyme, though, the text is often rhythmic.

Picture books fall into three general categories: story books, concept books, and novelty books. Story books are the most familiar to the beginner: these are books that tell a clear story, with a beginning, a middle, and and end. Concept books teach a concept. Alphabet books, counting books, books with pictures of trucks or cars, books about solving problems, are all concept books. Novelty books are engineered books with lift-up flaps, pop-out pages, textured surfaces, and similar features. The best novelty books involve the novelty feature as part of the story.

If you are skilled at writing poetry, have an ear for lyrical language, love the sounds of words, and are a visual thinker, you may have the talent needed for writing picture books.

Early readers

Early readers are books aimed at "emergent readers" -- children who are just learning to read on their own. The age level is variable, since some children learn to read spontaneously as young as three or four, while others may not achieve independent reading until they are in first or second grade or later. Most of these books, however, are intended for primary grades. Early readers sold in the bookstores are nearly always 6" by 9" and are 32, 48, or 64 pages long, and run between 500 and 1,500 words.

What surprises new writers is that the language in early readers may be simpler than that found in picture books. This is because picture books are often read to a child, while early readers are intended to be read by the child. Sentences are short, words are simple, and words tend to be repeated often. Think of the classic tale of the House that Jack Built, which has been told and re-told often. The story relies on repetition. In a similar vein, a story about a birthday party may devote several lines to the birthday cake:

"Now we'll cut the cake," said Father.

Father cut a slice of cake for Jason.

He cut a slice for Angela.

He cut a slice for Max.

He cut a big slice for Jennie.

Jennie smiled. "Now can we eat the cake?" she asked.

The entire book may only use a handful of words, but repeat them often so that the reader soon masters them. Don't be fooled by the simple language, though, into believing that the plot can be simplistic. Early readers must have a clear and robust plot in order to hold the attention of the reader who may be struggling to make meaning of the words. Many early reader stories have a surprise twist at the end, a reward for the reader's efforts.

To write early readers well, the writer must have a clear understanding of how children learn to read. While the writer doesn't have to be a professional reading specialist, it may help to read books on childrens' language development and acquisition of reading skills. Word lists (see the Children's Writer's Word Book at the left) are also helpful in choosing the appropriate vocabulary.

Chapter books

Chapter books are transitional books that help children move from early readers to full novels. While the book is usually one unified story, each chapter is a complete episode by itself, with conflict, action, and resolution. Most chapter books deal with contemporary situations that are familiar to the readers, and are often humorous books.

To write a chapter book, the writer needs to think in terms of episodic stories. Each episode becomes a chapter, and each chapter may build to a final conclusion to the overall story. A trip to an amusement park, for example, could be an episodic story, in which each chapter involves one of the rides. A character may have to overcome fear of the fast ride, or talk another character into going along, or have to choose between using one last ticket for a ride or to win a prize on the midway. At the end, the character may have learned a lesson about courage, sharing, or making choices.

Middle-Grade Novels

After the picture book, the second most common choice of books that beginning writers want to write is the middle-grade novel. A novel, however, unlike the picture book, relies entirely on text to tell the story. While illustrated novels were the rule several decades ago, now thanks to higher printing costs, illustrations are rare. A good novel writer must be able to create mental images entirely through the use of words.

Middle-grade novels are intended for independent readers, usually third grade and up. Most run between 14,000 and 20,000 words, though the extraordinary success of the Harry Potter series has pushed the upper limit considerably. Where early readers and chapter books often have universal appeal, some middle-grade novels are aimed specifically at either boys or girls, though there are many that are meant for both genders. Novels may involve interests that children are developing at these ages, such as sports, or they may provide escapist fantasy. Series books are popular, since children of this age group enjoy collecting things. Indeed, some children may collect a whole series without reading the books!

To write middle grade novels, a writer needs to be attuned to children in upper elementary school: their likes, dislikes, language, worries and fears. Children in the middle grades are keenly attuned to what is cool and uncool, and can quickly spot a fake. When writing a middle grade novel, the writer must aim at writing a strong story with realistic dialogue, fast pacing, and realistic characters. Most of all, the writer must be true to him or herself to write a story that feels genuine, even if it doesn't carry all the hallmarks of what is currently fashionable. In fact, any attempt to work in every last fad and fashion will severely date the book, and the reader will spot the attempt as someone trying much too hard to appear cool. Children can be quite savage in their opinions, so it is better to put one's efforts into writing a good story than in to adding fashionable window-dressing.

Young Adult

Young adult novels, also called YA or teen novels, are generally read by children anywhere from 5th grade on up. They are longer books, often 50,000 words or more. Most are contemporary stories, and often involve contemporary problems, including drugs, sex, and peer pressure. Some may involve grimmer topics, including rape or murder. Pre-teens and teens are becoming aware of the world, and often crave books that deal with the same issues they are wrestling with -- not to say that all teens must deal with violence in their lives, but that they are now becoming aware of violence in the world and are attempting to make sense of it. Teens experience intense emotions, and their reactions to ordinary stresses may seem, in the eyes of the adults around them, entirely out of proportion, the result of overanalysis and intense brooding. Books about other teens going through the same intense period can help readers cope with their own feelings.

While in the past YA has taken up only a few shelves in the bookstore, the YA section has grown recently as publishers have realized that the majority of teens do read for pleasure, and teens have more disposable income than they did in the past. While problem novels remain popular, YA books may also encompass humor. Some YA novels are graphic novels (comic-book-style) or may have other unusual formats.

As when writing middle-grade novels, a writer who wants to write YA must be attuned to pre-teen and teenage readers, who are even pickier consumers than the middle-grade reader. Writers who enjoy offbeat stories, weird humor, or dark and challenging situations may enjoy writing YA.

Recommended books:

How to Write and Illustrate Children's Books
Treld Bicknell, Felicity Trotman
Writer's Digest Books, 2000
An excellent introduction to both writing and illustrating picture books.

Children's Writer's Word Book
Alijandra Mogilner
Writer's Digest Books, 1999
Those who write Early Readers will find the Children's Writer's Word Book useful.

 

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